Wed 5 Nov 2014
On the holidays, I have an upcoming release!
Already up on Amazon for pre-order. It’s my vision of Christmas in a Gotham-like city. So there’s a bit of murder but also more than a bit of sex.
Unfortunately, there’s precious little sex in the television show Gotham so far. Instead, the show earns its mature style with over-the-top deaths, like being floated into the sky via balloon or crushed by ATM or death via insane ritual.
Also about sex, from a more serious standpoint, is my recap of the Sex Scenes From the Female Gaze panel at GeekGirlCon last month.
When I put together this panel for GeekGirlCon 2014, I had two goals. One was to have a good time. The other was to shine a light on how our society tends to view sex and sexuality from only one perspective.
To those who attended the panel, I hope you had fun. It was awesome to see a packed house. I’d no idea we’d draw that many people to our panel. I laughed when reading the “Pool Boy” letter in preparation for the panel and I thought it illustrated our point well: this is how the stereotypical male gaze views women. (God forbid one should be over 40 and not have a bikini wax.)
But the second goal was more serious. I need to thank the questioner who asked why call it “sex scenes from the female gaze?” because that brings in all sorts of gender assumptions that may or may not be true.
I could lie and say I thought “The Smut Panel” wouldn’t be accepted by the GeekGirlcon organizers but the truth is that when I named the panel, I thought less of how individual men and women view sex and more about how our pop culture, which is predominantly male-dominated, views sex, especially sex for women. Whatever gender we happen to be, we get a steady diet of what female and non-straight-white male sex looks like through the straight white male gaze.
And speaking of the real Gotham, I’ve been recapping every episode over at CriminalElement.com
Here are some highlights. Click on the links for the full recaps.
The first episode of the series nails Jim Gordon’s essential morality. There’s a line he won’t cross and shortcuts he won’t take. At least so far, because the first hour of Gotham promises some serious challenges to his worldview. It also provides Gordon an excellent counterpoint in cynical, slovenly and yet smart Detective Harvey Bullock. If Ben McKenzie doesn’t watch out, Donal Logue’s Bullock is going to steal the show from his Gordon. Watching the two of them this season together promises to be a lot of fun, especially if they can continue to exchange the wryly funny looks like the ones they gave each other while upside down on meathooks.
So what did we learn about the future of this show in the pilot?
Instead, from Falcone’s public beating of Fish’s lover, to the too on-the-nose dialogue about being “with the program” from Capt. Essen, and Bullock’s repeated badgerings of Jim Gordon to stop acting all high and mighty, Episode 2, “Selina Kyle” became, at times, almost as silly as its Monday night companion, Sleepy Hollow but not nearly as fun as Sleepy Hollow, which embraces its ridiculousness. (Look, everyone, studly naked torso!)
The show’s writers know that handcuffing corrupt officials to weather balloons and sending them up in the sky is a comic book murder concept. They use that ridiculousness to their advantage, even having one of the dead bodies fall back to earth, squishing an old lady in a scene that reminded me of the old woman with the dogs in A Fish Called Wanda.
Gotham should be subtitled “Rise of the Penguin,” as it’s clear by this fourth episode that this season is all about Oswald Cobblepot’s bid for power.
Focusing on the villain is a tradition in Batman screen adaptations, all the way back to Jack Nicholson’s Joker in Tim Burton’s Batman. And Oswald is perfectly cast to fill this need. Robin Lord Taylor has on-screen charisma to burn, enough so that while he’s a cheerfully unrepentant murderer, I find myself rooting for him. Oswald took a big step forward with this week’s orchestration of a robbery and then dispatching his hired help via poisoned cannoli. (He takes the gun, the cannoli, and the money.)
Oswald doesn’t kill anyone this episode. That’s a first. Still, I need to give the writers full credit for finding another fun but gruseome way for Gotham denizens to die: crushed by ATM.
Likely Barbara will stand by her now-proved innocent man. In any other show, I’d be worried that Barbara would be killed to add some more angst but, hopefully, Barbara’s future role as the mother of Batgirl prevents that.
Oswald will have fun manipulating everyone and trying to “help” his good, true friend Jim. It’s amusing that both Barbara and Oswald look to Jim as a paragon of virtue.
Bullock might keep on doing real work? I hope that means he’s redeemable.
And this show went a whole episode again without Oswald killing anyone. Pretty sure that’s not going to last.
And, yet, it was also full of what’s becoming Gotham’s trademark humor: from Penguin being overly formal, apologetic and making honking noises, to villain Victor Zsasz’s Funkytown ringtone and to Harvey’s taste in bedroom companions. But the funniest sequence had to be Falcone’s idea of kidnapping nuns and chaining them together to block Maroni’s trucks from leaving the city.
What do I think of the show so far? Entertaining, a bit shallow but growing progressively better each episode.